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The Maya Project_P/Q/R
11/22/19 4_P_Preserving A Moment_14_P_Creating A Sensation_14_P_Visible Time_14_P_Personality_1 Things to remember:These things are a part of your composition:colorshape of clothingnail polishshape of ceilinggeometry plays into the whole spaceyou want to be swooping in and out of listening to thisthe shape of the lightsall of this is a part of each vignettehow does the shape of the…
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The Maya Project_4_O
11/8/19 Progression (Attention, Space…) 4_O_Personality_1 is anything missing? remember to be playful, riskyadd to the improvisation score: everybody in both framessolos mini progression before each vignette? 4_O_Personality_2 Further Specifying Scores: Personality:everybody’s feet in two framescameras see each othereverybody in two framesselfiesrevealssoloslooking goodplayfulrisky Preserving A Momentstart in a poseboth cameras see something, one camera moves oncamera…
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The Maya Project_4_N
11/3/19 4_N_Preserving A Moment_14_N_Preserving A Moment_24_N_Preserving A Moment_3 returning to the beginningwe really sat in things todaykeeping my frame narrowtrying closing my eyesthe length of time of “the moment” variesdo i want to preserve this moment? is it ten seconds? a photo? touch has come up. the body as archive in relationship with the camera…
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The Maya Project 4_M
10/27/19 Still Learning to be okay with what’s not got by the cameras because that is central to the work: the actualization of limits means much is not included. Everything is not framed. Existence is collectively realized. Accept it, accept it, accept it. 1 Looking Practice Progression: Attention, Space, Geometry, Frame, Multiple Frames, Sequencing, Adding…
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The Maya Project_4_L
10/25/19 AttentionSpaceGeometryFrameMultiple FramesSequenceAdding Frames Practicing Smooth Camera Movement Strategies so that it is available to us when we’re working 5 minute vignettes: Further specifying scores, movement and camera movement vocabularies Preserving a Momenttime loop, eternalwish I could feel this againawareness of the passing momentwhat does this bring up in your body? how can we partially…
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The Maya Project 4_K
10.6.19 4_K_1 : Hiding things from the camera 4_K_2: Stillness of camera and dancers switched off and on 4_K_3: when cameras saw eachother, camera operators were not cyborging! 4_K_4: What about signals of stop, start, approach What about quality of movement? When does it do what? When do you do certain dance moves and what are those? Where…
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The Maya Project 4_J
9.27.19 Progression ( 4_J_1) 5 minute review of camera tools/composition/perspectives (4_J_2) 5 minute run remembering: “Search for Beauty”, “Personality”, “Relaying Emotion” and “Visible Time” (4_J_3) Trying New Sequences: Telling a Story -How do you tell a story with and without the camera? Do you feel like the subject? What’s the story? Preserving a Moment -are…
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The Maya Project 4_I
9.20.19 Progression: Attention, Space, Geometry, Frame, Multiple Frames, Sequencing, Adding Frames wondering where the cameras should be to start and end “incorrect use” of a tool of archive it’s important (radical?) that they are being themselves, feeling what they feel in a consensual relationship of image giving and taking in this space the way your…
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The Maya Project 4_G
9.13.19 warmup, work, watch cyborg duets detailed score with specific actions physicality heightens the moment, heightens the person rapid transfer of frames what kind of space do you feel like you’re in, or would you want to be in? dynamic, investigation, curiosity, searching for things- the camera, looking, seeing, composing, frame, perspective, dancers’ experiences, dancers’…